| Abstract ID | Title | Authors |
|---|
| 0208-01 | SHAATO'S FOLK LIFE, ROLES AND DYNAMICS AS FOLK MUSIC COMMUNITY IN KAFFA | ABINET Shiferaw, Lecturer in Wolkite University, Ethiopia and Social Anthropology Ph.D student at Addis Ababa Universty |
| 0208-02 | INDIGENOUS MUSIC, RHYTHM AND MELODY FUSION OF THE SOCIETY’S IN THE PERIPHERY: EXPLORING THE TRENDS OF “NEGARIT” FUSION BAND | TEFERI Assefa, MA in Jazz Drumming and Percussion Performance, From Karol Szymanowski Academy of Music, Katowice, Poland |
| 0208-03 | SYMBOLIC MEANINGS AND VALUES BEYOND MAKING LONGEST WIND MUSIC INSTRUMENT: INQUIRY ON DINKA- AN INDIGENOUS MUSIC INSTRUMENT OF DAWURO SOCIETY | ADMASU Abebe, lecturer at Mada Walabu University and Ph.D students of Social Anthropology |
| 0208-04 | ZUMBARA, BOLTSITSIYO, AND KOMIYA: TRADITIONAL WIND MUSIC INSTRUMENTS MAKING, SOCIAL VALUES AND CULTURAL MEANINGS AMONG BERTA AND THE GUMUZ PEOPLE, BENISHANGUL-GUMUZ REGION | SOLOMON Gebreyohannis, Entoto Polytechnic College, Ethiopia |
| 0208-05 | THE DYNAMICS OF INDIGENOUS MUSIC MAKING AND PERFORMANCE AMONG THE ETHNIC GROUPS IN SOUTH WEST ETHIOPIA: KAFFA, BENCH MAJI AND SHAKA ZONES | DAWIT Getu, Addis Ababa University |
| 0208-07 | NEW ADVANCEMENT OF ETHIOPIAN TRADITIONAL MUSICAL INSTRUMENTS (KRAR AND MASINQO) | FASSIKA Hailu Dolla,
HADDIS Alemayehu Gulma, Fassika Hailu Dolla |
| 0208-08 | WHY AZIMAR PERFORMANCE IS STAGE ORIENTED THAN PARTICIPATORY: NARRATING SELF-EXPERIENCE OF FENDIKA AZIMAR BET | MELAKU Belay, Professional Dancer & Teacher, Founder and Manager of Ethiocolor & Fendika |
| 0208-09 | THE REVIVAL OF THE ENDANGERED ETHIOPIAN TRADITIONAL MUSIC INSTRUMENTS ‘BEGENA’ AND ‘MELEKET’ AT SISAY BEGENA TRADITIONAL MUSIC INSTRUMENT INSTITUTE | SOLOMON Gebreyohannis, lecturer and music instrument trainer
SISAY Demisse, Begena trainer and director of sisay begena traditional music instrumet institute |
