| Abstract ID | Title | Authors |
|---|
| 0203-01 | THE PAINTED CHURCH OF BIRBIR GIYORGIS: AN URGENT CHALLENGE FOR CONSERVATION | Dorothea McEWAN, The Warburg Institute, University of London |
| 0203-02 | UNDERSTANDING IMAGES OF GIGAR IN ETHIOPIAN CHURCH MURALS | DAWIT Teferi, Independent Researcher |
| 0203-03 | THE MURAL PAINTINGS OF QORQOR MARYAM (13TH C. AD?): FROM THE MATERIAL AND TECHNOLOGICAL ANALYSIS TO A CONSERVATION PROTOCOL | Sigrid MIRABAUD, Institut national du patrimoine
Claire BOSC-TIESSÉ, CNRS-INHA |
| 0203-05 | THREATS AND OPPORTUNITIES: PRESERVING ETHIOPIAN WALL PAINTINGS IN THE CONTEXT OF GLOBALIZATION | Lisa SHEKEDE, Ethiopian Heritage Fund
Stephen RICKERBY, Ethiopian Heritage Fund
MEKONEN Hagos
Blair PRIDAY |
| 0203-06 | THE MURALS OF DEBRE MARIAM QORQOR: A UNIQUE PAINTING TECHNIQUE? | KIDANE Fanta Gebremariam, The Museum of Archaeology, University of Stavanger, Norway |
| 0203-08 | PAINTING SAINT GEORGE: CHANGES AND THE CONTINUITY IN CHRISTIAN ART | ALELIGN Aschale Wudie, Addis Ababa Science and Technology University |
| 0203-09 | THE TRENDS IN THE USE OF MINERAL-BASED PIGMENTS IN ETHIOPIAN ECCLESIASTICAL PAINTINGS: THE CASE OF CINNABAR, MINIUM AND ORPIMENT | KIDANE Fanta Gebremariam, The Museum of Archaeology, University of Stavanger, Norway |
